The work of Portishead co-founder Geoff Barrow, this sharp-edged though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a darkly funny standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game is in UK and Irish theaters from 17 November.
